Color of the year https://t.co/6jnnf2jJLA

AUTISTIC THREAD

ARE YOU COMF(Y) ????

HOW ABOUT A NICE GAME OF CHESS

CHE[SS] 5D

d5 in CheSS

HERE MY THEORY.

COME PROVE ME WRONG.

PART ##1 CHESS 1D

- d1. The King, The queen & Casimir -

17 / TRUMP / RED LINE / FRANCE / 21

THREAD

Trump owned France back in 2017 and never stopped since.

Q is using France as a mirror for the show.

USA Revolution 1776

[+13]

FRANCE Revolution 1989

ENJOY THE SHOW 2021 PATRIOTS

#OldestAllies 🇫🇷🇺🇸

MACRON | OAK | HOAX | VIRUS | TRUMP

Q is using France for The Show.

Follow The Red_Line.

Follow the Hand-Shake the Tree.

Let's continue the story....

PART 2 : 2018 | The Oak

Enjoy The Show.

Pierre Boulle was born today in 1912, so what better time to look back at his sociological science-fiction classic that paved the way for Star Wars and the MCU.

This is the story of Planet Of The Apes!

Pierre Boulle is probably best known for his 1952 novel Bridge On The River Kwai, based on his wartime experiences in Indochina. So it was possibly a surprise when 11 years later he authored a science fiction novel.

However Boulle had been a Free French secret agent during the war. He was captured in 1943 by Vichy forces in Vietnam and sentenced to hard labour. This experience of capture would shape his novel La Planète Des Singes.

Published in 1963 La Planète Des Singes recieved good reviews. An English translation - entitled Monkey Planet - was issued the following year. It was a story that seemed to strike a chord with readers.

In the novel two rich travellers find a manuscript written by journalist Ulysse Mérou. It tells a fantastical tale: how he travelled with two wealthy explorers to Betelgeuse. They land on the planet Soror, a world of primitive humans ruled by advanced civilised apes.

one of the things i like about Batman is that it's fundamentally about being orphaned, and being an orphan — how this guy stays tethered to the world in his own weird, abstract, extrajudicial way when he feels that his link to it has been violently severed

Batman does this by permanently recapitulating his own trauma: solving crimes for other people, protecting them. But that's actually just the beginning; he also recapitulates his own experience of orphanness by essentially raising several orphans

Dick is an orphan in the traditional sense: dead parents. Batman sees it happen. Jason, less so: missing dad, known mom who eventually dies. Tim, even less so: parents are around a while, and involved, before both dying. Carrie, even less than that: negligent parents.

Steph: evil father, who openly works against her. And then there's Damian, whose parents are both alive and yet both have identities that totally obliterate their role as his parents. He doesn't relate to them as a mother and father; he can't, and neither can they.

In all these different cases, Batman tries all these different ways of making orphanness for them not what it was for him: Either by trying to teach them the (arguably poor) coping skills early that he learned over a very long time, or by literally legally adopting them, etc.

So I was talking to @gewt about Job: A Comedy of Justice and I came up with a theory that I think explains why Heinlein's late-period work is so kinda-terrible and why I still enjoy it so much

So Heinlein had always been very interesting in the short parts of his novels, like the little snippets inside chapters. He had a very fun writing style, and wrote some fun dialogue with fun characters, right?>
It probably comes from how much of his early stuff was short fiction

And I think what happened with a lot of his longer works is that he'd just start writing fun bits and hope it would end up going somewhere or having a bigger plot by the end. like eventually he'd figure out where this was going, then go back and rewrite it into a cohesive whole

and I'm sure he had editors that'd help this process. No editor would let you publish something as rambly and changing-gears-every-other-chapter as The Number Of The Beast, for example... unless you were God-King Of Science Fiction 1980s Robert Heinlein.

so basically I think what happened is that by the 80s (when he was in his seventies!!) he lost the drive to go back and rewrite and he was too Untouchable for editors to make him.

Justice in the Wilderness

Some have asked for my review of the book. Follow the thread only if you are interested

I dont want to bore anyone unnecessarily 😊

As in many memoirs its content can be categorised into 2. Statement of facts & opinions. Where facts are concerned, I believe his recounts are true & fair with no malice or bias intended. Opinions are, well just that & it can be interpreted in many ways

I thought of writing a long one but on 2nd thoughts ill keep it as concise as i can

Truth can be uncomfortable but we need to hear it in order to move forward

And i believe TT has been very frank in his book & to truly appreciate it, one has to put aside sensitivities & listen

Key takeaways from the book; Deterioration of meritocracy & impartiality & the desecration of the judiciary by the powers that be. He has pinpointed to the events that have led to this

If we truly care for our country it is critical that we give it serious considerations

TT is a world class lawyer. Very adept, consistently exercising due care & dilligence. His commitment in following thru is impeccable, driven by his desire to deliver best results in his clients interest (Malaysia as AG) eg. his relentless pursuit of Goldman Sachs, Equanimity

In the shadowy corners of the shortwave spectrum lurk the Numbers Stations: strange radio broadcasts of mysterious blocks of numbers in creepy monotone voices!

It's actually an old form of spycraft which is still in use today. And as it's #WorldRadioDay let's take a listen...

A Numbers Station is a type of one-way voice link for sending information to spies in foreign countries.

Operating on Short Wave radio bands they transmit a secret code of spoken numbers. Use of Numbers Stations peaked during the Cold War, but some are still operating today.

Numbers Stations are operated by various national intelligence agencies. At set times on a pre-arranged frequency a musical tone is played, followed by a speech synthesised voice reading out blocks of numbers. To most listeners it sounds both creepy and meaningless.

However to spies it can be vital. The numbers can be decoded to reveal a message, provided the spy has the right One Time Pad (OTP) - a random number key that is only used once before it is destroyed. OTP encryption is impossible to break if done correctly.

Why broadcast your secret message on Short Wave? Because it can be picked up across the globe. All a spy needs is a shop bought SW radio, a pencil, and the correct One Time Pad and they - and only they - can decipher the message. No complex kit is required.