Me//one of my fave painting (Thomas Blackshear) https://t.co/IKYCbF1e9L

Look what I found
#goals
The homophobia kshfjsjdjsjdjjs just like....the levels this preview is on....you've got 1.) Gay people are pedos 2.) Gay people are sissy 3.) Gay people are bad 4.) Shock that a gay man can be a major influence and also skilled. 🤣🤣🤣
Also I like Thomas black shear art a lot. I like The Western because there's an appeal to nature and an image of america before colonization but! Like...the entire Western genre is literally genocidal propaganda so its like....I wonder what genre it would be if you just like....
Were coming from a place of actual respect. Like you were obviously going against the stereotypes and tropes set up in The Western?
Theres a real element of the period of The Western to be explored that the genre of The Western never gets to see because its constant propaganda.
The main elements of Western is like:
- the noble savage
- the untamed wilderness
- the bucking bronco
- the white cowboy
And I like Blackshear's art because its clearly affected by photography and cinema which are the two mediums that really made Westerns into the huge genre that we see today. But its like...when you only trade the element of the white cowboy for the black cowboy...
Its like, while it is more historically accurate, lol, in context of his art it just seems like a desire to place black cishet masculine power where white cishet masculine power once stood...
I think to really get the idea of what kind of Western would be appropriate for today's audience you would have to actually 1. Go out there and see the real native American people lmaooo and 2. Like study history and listen to the real people that the genre is based on..
Like v...vaqueros (I can't spell... ;3;) and stuff. Because theyre still out there you know? And the landscape is still beautiful...anyway I wish there wasn't covid then I would go to a national park or something...
This is something I think about a lot. I think like the new movie magnificent 7 (based on seven samurai, like most westerns are) is a good example of what i mean. Like, the western genre is here now and it exists...so its like....
I dont want it to continue to use beautiful genuine images of nature to like...lure people into the ideas of manifest destiny or whatever. We should mold it into something more interesting. More empathetic and real. So we can connect with each other as marginalized people...
And realize that the land we live on belongs to natives and we are in solidarity with that. Like the recurring image of native Americans in westerns is used as like:
- symbol of a dying people
- villains
- magical support person
But I think its interesting that this is a natural element that is basically constantly reminding you of the real history of America. Right in the middle of a genre that was built to erase it.
Anyway this topic interests me....because I am very nosy
LIKE!! THE BUCKING BRONCO IS LITERALLY A SYMBOL OF THE WHITE MEN TAMING THE WILD WEST!!!

More from Culture

I'm going to do two history threads on Ethiopia, one on its ancient history, one on its modern story (1800 to today). 🇪🇹

I'll begin with the ancient history ... and it goes way back. Because modern humans - and before that, the ancestors of humans - almost certainly originated in Ethiopia. 🇪🇹 (sub-thread):


The first likely historical reference to Ethiopia is ancient Egyptian records of trade expeditions to the "Land of Punt" in search of gold, ebony, ivory, incense, and wild animals, starting in c 2500 BC 🇪🇹


Ethiopians themselves believe that the Queen of Sheba, who visited Israel's King Solomon in the Bible (c 950 BC), came from Ethiopia (not Yemen, as others believe). Here she is meeting Solomon in a stain-glassed window in Addis Ababa's Holy Trinity Church. 🇪🇹


References to the Queen of Sheba are everywhere in Ethiopia. The national airline's frequent flier miles are even called "ShebaMiles". 🇪🇹

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So the cryptocurrency industry has basically two products, one which is relatively benign and doesn't have product market fit, and one which is malignant and does. The industry has a weird superposition of understanding this fact and (strategically?) not understanding it.


The benign product is sovereign programmable money, which is historically a niche interest of folks with a relatively clustered set of beliefs about the state, the literary merit of Snow Crash, and the utility of gold to the modern economy.

This product has narrow appeal and, accordingly, is worth about as much as everything else on a 486 sitting in someone's basement is worth.

The other product is investment scams, which have approximately the best product market fit of anything produced by humans. In no age, in no country, in no city, at no level of sophistication do people consistently say "Actually I would prefer not to get money for nothing."

This product needs the exchanges like they need oxygen, because the value of it is directly tied to having payment rails to move real currency into the ecosystem and some jurisdictional and regulatory legerdemain to stay one step ahead of the banhammer.
First thread of the year because I have time during MCO. As requested, a thread on the gods and spirits of Malay folk religion. Some are indigenous, some are of Indian origin, some have Islamic


Before I begin, it might be worth explaining the Malay conception of the spirit world. At its deepest level, Malay religious belief is animist. All living beings and even certain objects are said to have a soul. Natural phenomena are either controlled by or personified as spirits

Although these beings had to be respected, not all of them were powerful enough to be considered gods. Offerings would be made to the spirits that had greater influence on human life. Spells and incantations would invoke their


Two known examples of such elemental spirits that had god-like status are Raja Angin (king of the wind) and Mambang Tali Arus (spirit of river currents). There were undoubtedly many more which have been lost to time

Contact with ancient India brought the influence of Hinduism and Buddhism to SEA. What we now call Hinduism similarly developed in India out of native animism and the more formal Vedic tradition. This can be seen in the multitude of sacred animals and location-specific Hindu gods
शमशान में जब महर्षि दधीचि के मांसपिंड का दाह संस्कार हो रहा था तो उनकी पत्नी अपने पति का वियोग सहन नहीं कर पायी और पास में ही स्थित विशाल पीपल वृक्ष के कोटर में अपने तीन वर्ष के बालक को रख के स्वयं चिता पे बैठ कर सती हो गयी ।इस प्रकार ऋषी दधीचि और उनकी पत्नी की मुक्ति हो गयी।


परन्तु पीपल के कोटर में रखा बालक भूख प्यास से तड़पने लगा। जब कुछ नहीं मिला तो वो कोटर में पड़े पीपल के गोदों (फल) को खाकर बड़ा होने लगा। कालान्तर में पीपल के फलों और पत्तों को खाकर बालक का जीवन किसी प्रकार सुरक्षित रहा।

एक दिन देवर्षि नारद वहां से गुजर रहे थे ।नारद ने पीपल के कोटर में बालक को देख कर उसका परिचय मांगा -
नारद बोले - बालक तुम कौन हो?
बालक - यही तो मैं भी जानना चहता हूँ ।
नारद - तुम्हारे जनक कौन हैं?
बालक - यही तो मैं भी जानना चाहता हूँ ।

तब नारद ने आँखें बन्द कर ध्यान लगाया ।


तत्पश्चात आश्चर्यचकित हो कर बालक को बताया कि 'हे बालक! तुम महान दानी महर्षि दधीचि के पुत्र हो । तुम्हारे पिता की अस्थियों का वज्रास्त्र बनाकर ही देवताओं ने असुरों पर विजय पायी थी।तुम्हारे पिता की मृत्यु मात्र 31 वर्ष की वय में ही हो गयी थी'।

बालक - मेरे पिता की अकाल मृत्यु का क्या कारण था?
नारद - तुम्हारे पिता पर शनिदेव की महादशा थी।
बालक - मेरे उपर आयी विपत्ति का कारण क्या था?
नारद - शनिदेव की महादशा।
इतना बताकर देवर्षि नारद ने पीपल के पत्तों और गोदों को खाकर बड़े हुए उस बालक का नाम पिप्पलाद रखा और उसे दीक्षित किया।