.@bellingcat's attempt in their new book, published by
@BloomsburyBooks, to coverup the @OPCW #Douma controversy, promote US and UK gov. war narratives, and whitewash fraudulent conduct within the OPCW, is an exercise in deception through omission @marydejevsky @freddiesayers
In response to @marydejevsky seemingly bad faith questions about Bellingcat on @unherd I've written a response providing details of where Bellingcat came from, and why it is like it is https://t.co/5rCsSwpcAm
— Eliot Higgins (@EliotHiggins) February 15, 2021

and can be readily observed in documents now available https://t.co/2BUNlD8ZUv…. https://t.co/9kEMqb6wR7




instead reinforces the attempt by OPCW senior management to smear some of its most experienced inspectors using a 'leak investigation' to spread lies and disinformation. @RealDeeptiC @UK_OPCW @CanadaOPCW @NLatOPCW
@OPCW controversy also conveniently forgets to mention the claim from a @BBC producer @Dalatrm
that he could confirm the hospital scenes shot at Douma were staged: https://t.co/YZwfPITgbr… @bbclysedoucet @BreesAnna @cerumol
After almost 6 months of investigations, i can prove without a doubt that the #Douma Hospital scene was staged. No fatalities occurred in the hospital.
— Riam Dalati (@Dalatrm) February 13, 2019
All the #WH, activists and people i spoke to are either in #Idlib or #EuphratesShield areas.
Only one person was in #Damascus.
#Douma #DoumaMassacre #DoumaProvocation
— Michael Kobs (@MichaKobs) April 13, 2018
The tweet deleted by Eliot Higgins proves some serious manipulation of the chlorine cylinder. Probably this is the reason why he deleted it. Compare the deleted version to the later White Helmet version. pic.twitter.com/4JcyzIlFtm

@MaxBlumenthal @aaronjmate
@bellingcat serve as their conduit. The description of the conditions within the OPCW described by this official appear accurate

@opcw Douma issue are available https://t.co/Giy4xbJ6wF…. And, in the coming months, more voices will come to be heard.
have published an account of a major controversy that demonstrably ignores critical facts/material. As shown by the material in this thread, it is a deception through omission. @GeorgeMonbiot @lukeharding1968 @anneapplebaum @haynesdeborah
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I believe that @ripple_crippler and @looP_rM311_7211 are the same person. I know, nobody believes that. 2/*
Today I want to prove that Mr Pool smile faces mean XRP and price increase. In Ripple_Crippler, previous to Mr Pool existence, smile faces were frequent. They were very similar to the ones Mr Pool posts. The eyes also were usually a couple of "x", in fact, XRP logo. 3/*

The smile XRP-eyed face also appears related to the Moon. XRP going to the Moon. 4/*

And smile XRP-eyed faces also appear related to Egypt. In particular, to the Eye of Horus. https://t.co/i4rRzuQ0gZ 5/*

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As someone\u2019s who\u2019s read the book, this review strikes me as tremendously unfair. It mostly faults Adler for not writing the book the reviewer wishes he had! https://t.co/pqpt5Ziivj
— Teresa M. Bejan (@tmbejan) January 12, 2021
The meat of the criticism is that the history Adler gives is insufficiently critical. Adler describes a few figures who had a great influence on how the modern US university was formed. It's certainly critical: it focuses on the social Darwinism of these figures. 2/x
Other insinuations and suggestions in the review seem wildly off the mark, distorted, or inappropriate-- for example, that the book is clickbaity (it is scholarly) or conservative (hardly) or connected to the events at the Capitol (give me a break). 3/x
The core question: in what sense is classics inherently racist? Classics is old. On Adler's account, it begins in ancient Rome and is revived in the Renaissance. Slavery (Christiansen's primary concern) is also very old. Let's say classics is an education for slaveowners. 4/x
It's worth remembering that literacy itself is elite throughout most of this history. Literacy is, then, also the education of slaveowners. We can honor oral and musical traditions without denying that literacy is, generally, good. 5/x
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