I’ve enjoyed reading @AlexJLanglands The Ancient Ways of Wessex & learned how #chalkstream #winterbournes & #springs have influenced our culture & cultural heritage - #Ridgeway paths that are now #NationalTrails

Perhaps old news to many, but new to me so here’s a short thread…

The Fast and the Furious is a 2001 action film directed by Rob Cohen and starring Vin Diesel, Michelle Rodriguez, Jordana Brewster, and Paul Walker. The Fast and the Furious is first film in the The Fast and the Furious franchise, distributed by Universal Pictures.

The film was released June 22, 2001 and grossed $207.3 million. In 2003, The Fast and the Furious was followed by the sequel 2 Fast 2 Furious.

Brian O'Conner is an undercover Los Angeles copwho aspires to become a detective.

When he is tasked to stop hijackers led by Dominic Torettofrom stealing expensive electronics equipment off of trucks, Brian must choose between his obligation to the LAP and his friendship with Toretto after he becomes good friends with his family.

The film opens at a dockyard where a container is loaded onto the trailer of a semi-truck. The truck then departs the dockyard and one of the dock workers makes a phone call to an anonymous party on the other end, informing them on how to identify the truck.

I am reading through reams of late-1920s communist poetry and easily my favourite title so far is: "To a Lady who Rejected a Poem about Spring as a Petit-Bourgeois Deviation"

The last lines:
"So here's my hat into the air,
Three cheers for your amazing hair,
For coal mines, and for turbines, too,
For steel, the Comintern and you!"

A not exactly graceful (though possibly satirical) title: "Lines Disassociating Myself from Yessenin and Supporting the Otherwise Unfounded Legend that I am a Foremost Proletarian Writer"

An excerpt:
"Goodbye verses of Yessenin
Goodbye literary slop-
You are not the line of Lenin
You are not the line of WAPP

Never shall I moan a
simple lyric from the heart
I'll devote my new corona
to the proletarian art"

The poet was Joseph Freeman, who published much of his revolutionary verse in the New Masses, a stylish journal of the interwar American literary Left.

Thread: For Fil-Ams & other people of color, the "American Dream" often means toiling away just to obtain a small piece of the spoils that were violently ripped away from your community. 1/

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Second-gen AsAms like me grow up oblivious about our own histories because the US education system purposely withholds info about it, & our parents try to outrun their trauma by never sharing their experiences, instead pushing their children toward an assimilation sleepwalk. 2/

AsAms realize too late we've inherited a deal with the devil we never agreed to: we can keep our language, but only if we speak it privately. Our food, if we serve it. Our culture, if it upholds the illusion of America as a benevolent melting pot that saved us from ourselves. 3/

But AsAms aren't the only ones ignorant of this history—Few Americans know of the Philippine-American War & the atrocities the US committed. Even fewer understand how the US's ongoing legacy of war, destruction & colonization in Asia is a major reason the AsAm diaspora exists. 4/

Americans aren't taught about how centuries of exploitation of the Philippines' resources by Western powers has led to most of its workforce immigrating & becoming a global servant class called OFWs. Instead, they're taught that poverty is inherent to Filipinx culture. 5/