As 2020 is coming to an end, you can either read a dozen Quilette articles or letters in The Times - or even throw in a PragerU video for good measure - insisting the British Empire was 'Overwhelmingly a force for good' and that 'wokery' is erasing history...

Or you can avail yourself of the critical and deeply researched work of actual scholars. Here are my recommendations for Christmas gifts this year - for anyone seriously interested in the history of the British Empire and its legacies:

@PriyaSatia 'Time's Monster'
-@profdanhicks 'The Brutish Museum'
-@PriyamvadaGopal 'Insurgent Empire'
-@DalrympleWill 'The Anarchy'
-Stuart Ward and @astrid_rasch 'Embers of Empire in Brexit Britain'
-@RobertGildea 'Empires of the Mind'
-@aaprocter
And some forthcoming ones:

@Sathnam 'Empireland'
and of course @pdkmitchell 'Imperial Nostalgia'
Apologies if I have forgotten any others - there is obviously a vast literature out there, so these are just some initial recommendations and a good starting-point if you are interested - genuinely interested - in the British Empire...
So I did forget a few:

@mbarcia24 'The Yellow Demon of Fever'
-@lottelydia 'The Free Speech Wars'
And, as some people have kindly pointed out, I should perhaps include some of my own books, if nothing else than to please my publishers...
Honourable mentions:

@jonewilson 'India Conquered'
And I'm going beyond the Anglo-centric focus of the list to include this brilliant historical comic which cannot be recommended enough:

@MichaelGVann 'The Great Hanoi Rat Hunt'
And taking us into global comparative imperialism:

@olaferr

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I've gotten a few questions about this, so let me clarify and provide as much helpful information as this medium will allow.

To begin, both of my parents are MBA's and are assertive. They taught us four kids to be assertive. 1/x


Honestly, what's the worst a publisher can do, say no? If the worst that can happen is a rejection email (and believe me I've gotten ALOT), then it's pretty "safe" to at least ask.

But there were tricks that I learned about getting books from publishers. 2/x

The 1st was to request exam copies. I was a very part-time adjunct faculty for an online-only seminary in the UK. I designed two classes for them and requested books to consider as assigned reading for the classes. I still do this, since I'm full-time teaching/administrating. 3/x

The second was to become an approved/recognized reviewer for journals--it doesn't matter which ones. Thanks to a previous professor I'm a reviewer at the website for a research center. And through nothing but email, I'm a frequent reviewer for 3 journals (JESOT, JHS, RRT). 4/x

This is a helpful approach. When you know exactly where the review is going to be submitted and you know that the journal's review editor wants the review, then (in most cases) the review editor's job is to contact the publisher and make sure you get the book. That's it. 5/x
We had a conversation on the podcast about the racialization of dog breeds, where we talked to @BronwenDickey, the author of Pitbull: The Battle Over an American Icon.


In the 1930s, Pitbulls — which, as Bronwen pointed out to me over and over, don’t constitute a dog breed but a shape — used to be seen as the trusty sidekick of the proletariat, the Honda Civic of canines. (Think of “the Little Rascals” dog.)
.

That began changing in the postwar years and the rise of the suburbs. A pedigreed dog became a status symbol for the burgeoning white middle class. And pitbulls got left behind in the cities.

Aside: USians have flitted between different “dangerous” breeds and media-fueled panics around specific dogs. (anti-German xenophobia in the late 1800s fueled extermination programs of the spitz, a little German dog that newspapers said was vicious and spread disease.)

Some previously “dangerous” dogs get rebranded over the years — German shepherds, Dobermans, Rottweilers. But the thing their respective periods of contempt and concern had to do is that they were associated with some contemporarily undesirable group.

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1/ Some initial thoughts on personal moats:

Like company moats, your personal moat should be a competitive advantage that is not only durable—it should also compound over time.

Characteristics of a personal moat below:


2/ Like a company moat, you want to build career capital while you sleep.

As Andrew Chen noted:


3/ You don’t want to build a competitive advantage that is fleeting or that will get commoditized

Things that might get commoditized over time (some longer than


4/ Before the arrival of recorded music, what used to be scarce was the actual music itself — required an in-person artist.

After recorded music, the music itself became abundant and what became scarce was curation, distribution, and self space.

5/ Similarly, in careers, what used to be (more) scarce were things like ideas, money, and exclusive relationships.

In the internet economy, what has become scarce are things like specific knowledge, rare & valuable skills, and great reputations.