Margatha Natarajar murthi - Uthirakosamangai temple near Ramanathapuram,TN
#ArudraDarisanam
Unique Natarajar made of emerlad is abt 6 feet tall.
It is always covered with sandal paste.Only on Thriuvadhirai Star in month Margazhi-Nataraja can be worshipped without sandal paste.

After removing the sandal paste,day long rituals & various abhishekam will be https://t.co/e1Ye8DrNWb day Maragatha Nataraja sannandhi will be closed after anointing the murthi with fresh sandal paste.Maragatha Natarajar is covered with sandal paste throughout the year
as Emerald has scientific property of its molecules getting disturbed when exposed to light/water/sound.This is an ancient Shiva temple considered to be 3000 years old -believed to be where Bhagwan Shiva gave Veda gyaana to Parvati Devi.This temple has some stunning sculptures.

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#sculpture #story from #Mahabharat-Battle between Bhagadatta(Son of Narakasura)& #Bhima on 12th day of Kurushetra war is beautifully depicted.

Bhagadatta participated in the war on the side of Kaurava’s.He had a huge,strong &an almost undefeatable elephant ‘Supratika’.

#Thread


📸 -Magnificent Sculpture is in Ranaganayaki Andal Temple,Belur Chennakeshava temple Complex, Karnataka
Depicts Bhima held in trunk of
https://t.co/Dx43NeAsgC he tried to injure Supratika while going underneath it but in vain.Also Bhima is seen attacking Bhagadatta with mace.

Bhagadatta was Raja of Pragjyotisha Kingdom.He was extremely skilled in using elephants in warfare.Arjuna defeated Bhagadatta during time of Raja-suya yagya performed by Yudhishthira.He considered Pandavas as his enemies from that defeat.

Bhagadatta supported Kauravas in Kurushetra war & on 12th day he started killing Pandava’s army in huge numbers while mounted on his elephant Supratika.Bhima tried to fight & tried to injure Supratika while going underneath.Elephant almost crushed Bhima but he was able to escape.

Many Pandava warriors and elephants tried to stop Bhagadatta but in vain. Arjuna entered & with his arrows killed soldiers who were protecting Supratika’s legs. Fierce battle started between Arjuna& Bhagadatta.
📸-sculpture in external walls of Kashi VishveshwaraTemple, Lakkundi
A #story from #Thiruvilayadal puranam-one of divine leelas of Bhagwan Shiva

#threadseries #madurai

Koodal Kaandam

Story 24 - it is about why Nataraja in Velliyambalam/Silver Dance Hall changed his pose to stand on left leg & raise right leg.

கால் மாறி ஆடிய படலம்


Earlier,Bhagwan Shiva performed Sadhya thadavam as per requests of Pathajali & Vyaghrapada Rishis after Wedding as the convyed to Sundareswarar that they usually have food only after seeing the dance of Thillai
https://t.co/VIpzT0n0Kc see this story 👇


After Vikrama Pandyan, his son Rajasekara Pandyan ruled Madurai Kingdom.Rajsekaran mastered various art forms.Out of 64 art form,except for Natyam- he mastered 63 art forms.

He was very devoted towards Chokkanathar & Velliyambalam Nataraja who is Supreme master of Dance/Bharatam

He didn't attempt to learn Bharatam. He considered it will be a disrespect to practice due to his bhakti towards Nataraja/Bhagwan shiva.

During that time,Chola kingdom was ruled by Karikala Cholan.He was a great king&he patronized all art forms.He has learnt all 64 art forms.

Once a poet from Chola kingdom visited the court of Rajasekara Pandyan.After paying tributes,the poet said that his Raja was master of 64 arts,but pandyan knew only 63.Pandyan felt insulted,but realised that it might be God's will to make him learn Natyam.

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कुंडली में 12 भाव होते हैं। कैसे ज्योतिष द्वारा रोग के आंकलन करते समय कुंडली के विभिन्न भावों से गणना करते हैं आज इस पर चर्चा करेंगे।
कुण्डली को कालपुरुष की संज्ञा देकर इसमें शरीर के अंगों को स्थापित कर उनसे रोग, रोगेश, रोग को बढ़ाने घटाने वाले ग्रह


रोग की स्थिति में उत्प्रेरक का कार्य करने वाले ग्रह, आयुर्वेदिक/ऐलोपैथी/होमियोपैथी में से कौन कारगर होगा इसका आँकलन, रक्त विकार, रक्त और आपरेशन की स्थिति, कौन सा आंतरिक या बाहरी अंग प्रभावित होगा इत्यादि गणना करने में कुंडली का प्रयोग किया जाता है।


मेडिकल ज्योतिष में आज के समय में Dr. K. S. Charak का नाम निर्विवाद रूप से प्रथम स्थान रखता है। उनकी लिखी कई पुस्तकें आज इस क्षेत्र में नए ज्योतिषों का मार्गदर्शन कर रही हैं।
प्रथम भाव -
इस भाव से हम व्यक्ति की रोगप्रतिरोधक क्षमता, सिर, मष्तिस्क का विचार करते हैं।


द्वितीय भाव-
दाहिना नेत्र, मुख, वाणी, नाक, गर्दन व गले के ऊपरी भाग का विचार होता है।
तृतीय भाव-
अस्थि, गला,कान, हाथ, कंधे व छाती के आंतरिक अंगों का शुरुआती भाग इत्यादि।

चतुर्थ भाव- छाती व इसके आंतरिक अंग, जातक की मानसिक स्थिति/प्रकृति, स्तन आदि की गणना की जाती है


पंचम भाव-
जातक की बुद्धि व उसकी तीव्रता,पीठ, पसलियां,पेट, हृदय की स्थिति आंकलन में प्रयोग होता है।

षष्ठ भाव-
रोग भाव कहा जाता है। कुंडली मे इसके तत्कालिक भाव स्वामी, कालपुरुष कुंडली के स्वामी, दृष्टि संबंध, रोगेश की स्थिति, रोगेश के नक्षत्र औऱ रोगेश व भाव की डिग्री इत्यादि।

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