In 2013, I woke up and said, "I want to write a book about Pokémon."

In 2017, I finally wrote it.

In 2019, thanks to the fine folks at @DelReyBooks, you'll all get to read it.

I'm pleased to announce my epic fantasy debut. Formerly: "Fullmetal Pokémist." Now:

STEEL CROW SAGA.

Seriously, everyone, I can't tell you how thrilled I am to share this one with you. The world is far-flung and weird, and the characters live lives so far removed from mine, but STEEL CROW SAGA is honestly the most personal and autobiographical thing I've ever written
Yeah, I guess I should address that early. STEEL CROW SAGA is not a trilogy. This is a standalone book. I left doors open for someday, but my plan right now is for each of these three books to be its own thing
https://t.co/c26CndzeVi
Last thing I'll say here: I couldn't have asked for a better team than @DelReyBooks to work with--particularly @tnarwani, who just Gets this book. In our call, she casually cited a semi-obscure Korean movie from ten years ago, unaware it'd been a key influence. That's when I knew
Anyway. Plenty more to tease in the coming year. Thanks again to my friends who got me through it, and especially to @dongwon who saw this weird Toonami regurgitation and immediately believed in it. Today is my triumph, but it's also theirs.
my mom just texted me to inform me that the chef at her favorite chicken shop in the West Loop is very happy for me, and i feel like at last i've Arrived

More from Writing

I want to talk about how western editors and readers often mistake protags written by BIPOC as "inactive protagonists." It's too common an issue that's happened to every BIPOC author I know.


Often, our protags are just trying to survive overwhelming odds. Survival is an active choice, you know. Survival is a story. Choosing to be strong in the face of the world ending, even if you can't blast a wall down to do it, is a choice.

It's how we live these days.

Western editors, readers, and writers are too married to the three-act structure, to the type of storytelling that is driven by conflict, to that go-getter individualism. Please read more widely out of your comfort zone. A lot of great non-western stories do not hinge on these.

Sometimes I wonder if you're all so hopped up on the conflict-driven story because that's exactly how your colonizer ancestors dealt with people different from them. Oops, I said it, sorry not sorry. Yes, even this mindset has roots in colonialism, deal with it.

If you want examples of non-conflict-driven storytelling google the following: kishoutenketsu, johakyu, daisy chain storytelling/wheel spoke storytelling. There was another one whose name I forgot but I will tweet it when I recall it.

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