Oh, my. Former FT Editor @lionelbarber defends bothsideism, impartiality, objectivity and other recent journalistic tradition.

In it, @lionelbarber laments the loss of trust in Walter Cronkite; "newspaper of record." That was trust imagined by the institution & limited to white privilege & power. Now, on the net, we hear people never included in the institution, who never trusted it. See: #BLM, #metoo
Barber quotes @WesleyLowery, which is good, but misses his point: that these institutional notions of objectivity, impartiality, trust were fictions those in power told themselves because they had the power to do so. It was journalism's fatal tautology. 3/
The bothsideism Barber defends was an invention, too, aimed at securing power journalism's hold on its claims of objectivity, &c. Of course, I advocate completeness, fairness, accuracy, openness. But then I advocate judgment. 4/
One irony of the age is that journalists are demanding that platforms make judgments that journalists themselves--like Barber--refuse to make. That is not onesideism. It is a sin of journalistic omission. What do I mean by that? 5/
Journalists were afraid to judge Trump's sanity, his lying, his criminality, his competence, his character. Bothsideism & objectivity led to hiring Hugh Hewitt or having Kellyanne booked on air. 6/
Journalists were and are also afraid of judging the systemic racism and inequity in society's other institutions. How, after COVID, George Floyd, Trum, & 2020 can that continue? To not report on & call out these ills is journalistic malpractice. 7/
To seek out the "other side" regarding racism, inequity, and crime--hallmarks of Trump's reign--is to amplify these ills, to normalize them. Thus, The Times tells us a Nazi wears khakis & goes to Panera just like real people. That, too, is journalistic malpractice. 8/
Says Barber: "But reporting—reflecting what other people think or say—does not amount to an endorsement of a particular point of view." If Zuckerberg or @jack said that, media would draw and quarter them. Journalism? Oh, that's our job. 9/
Reflecting "what other people think or say" without necessary context--judgment--merely amplifies their thoughts, regularizing lies & racism. Note that I want the same thing from both journalists & platforms: judgment. Both are allergic to it, but one demands it of the other. 10/
Barber is a damned good editor, wicked smart, impeccably informed. Same for his old paper. But we need to discuss journalism's shibboleths and failures in the same breath without relying on the kinds of obvious tactics he lists. 11/
This old journalism failed America and Britain. The evidence: Liars & their lies took over both nations. Now is the time for us in journalism to examine that failure with brutal honesty and to imagine a new journalism that will not fail our societies again. We must learn. 12/
So consider all this another side to Barber's ringing of the bells in journalism's church tower. Consider it my bothsideism. 13/
This is where the journalists says: I am not like you. I saw that the president of the United States was mad, bad, and dangerous. But my professional speciality is in muting that judgment for the sake of a fair hearing -- of madness, badness, and danger. 14/
To be clear, I, too, am asking for reporting to back up those judgments. I have been dying for journalists to talk with psychiatrists to diagnose Trump's madness but our field ignored it instead. Why? Fairness? Balance? This, I believe, as our greatest malpractice. 15/
Here, Barber accuses journalists who enter into dialog with the public, now possible on social media, of seeking fame. Odd thing for famous editors to say. To "muddle personal views" could also be called openness and transparency, which some also call journalistic virtues. 16/
It's not just the diversity in our newsrooms. It is the quality of our coverage, the fact that we did not report what happened to Black Americans every day until #LivingWhileBlack showed us and did not report on murderous inequity in health care until COVID showed us. /17
Confessing our chronic sin regarding diversity in newsrooms is only a first, tiny step. Fixing it is a next step. Acknowledging the resulting failures in journalistic coverage is the next big step necessary before fixing that. /18
And don't get me started on viewing treatment of James Bennet and Bari Weis as "intolerance and censorship" and "activist journalism [that] risks polarizing people further" or this thread will never end. /19
But now I'm going to leave you to write a piece of a chapter about John Wilkes, a journalist who would make modern editors' blood curdle but whom they have to thank for so much of the freedom of the press they enjoy today. /fin /maybe
https://t.co/mqEstQbPDD

More from Trump

Long thread: Because I couldn’t find anything comprehensive, I’m just going to post everything I’ve seen in the news/Twitter about Trump’s activities related to the Jan 6th insurrection. I think the timing & context of his actions/inactions will matter a lot for a senate trial.

12/12: The earlier DC protest over the electoral college vote during clearly inspired Jan 6th. On Dec 12th, he tweeted: “Wow! Thousands of people forming in Washington (D.C.) for Stop the Steal. Didn’t know about this, but I’ll be seeing them! #MAGA.”


12/19: Trump announces the Jan. 6th event by tweeting, “Big protest in D.C. on January 6th. Be there, will be wild!” Immediately, insurrectionists begin to discuss the “Wild Protest.” Just 2 days later, this UK political analyst predicts the violence


12/26-27: Trump announces his participation on Twitter. On Dec. 29, the FBI sends out a nationwide bulletin warning legislatures about attacks https://t.co/Lgl4yk5aO1


1/1: Trump tweets the time of his protest. Then he retweets “The calvary is coming” on Jan. 6!” Sounds like a war? About this time, the FBI begins visiting right wing extremists to tell them not to go--does the FBI tell the president? https://t.co/3OxnB2AHdr

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I just finished Eric Adler's The Battle of the Classics, and wanted to say something about Joel Christiansen's review linked below. I am not sure what motivates the review (I speculate a bit below), but it gives a very misleading impression of the book. 1/x


The meat of the criticism is that the history Adler gives is insufficiently critical. Adler describes a few figures who had a great influence on how the modern US university was formed. It's certainly critical: it focuses on the social Darwinism of these figures. 2/x

Other insinuations and suggestions in the review seem wildly off the mark, distorted, or inappropriate-- for example, that the book is clickbaity (it is scholarly) or conservative (hardly) or connected to the events at the Capitol (give me a break). 3/x

The core question: in what sense is classics inherently racist? Classics is old. On Adler's account, it begins in ancient Rome and is revived in the Renaissance. Slavery (Christiansen's primary concern) is also very old. Let's say classics is an education for slaveowners. 4/x

It's worth remembering that literacy itself is elite throughout most of this history. Literacy is, then, also the education of slaveowners. We can honor oral and musical traditions without denying that literacy is, generally, good. 5/x
A brief analysis and comparison of the CSS for Twitter's PWA vs Twitter's legacy desktop website. The difference is dramatic and I'll touch on some reasons why.

Legacy site *downloads* ~630 KB CSS per theme and writing direction.

6,769 rules
9,252 selectors
16.7k declarations
3,370 unique declarations
44 media queries
36 unique colors
50 unique background colors
46 unique font sizes
39 unique z-indices

https://t.co/qyl4Bt1i5x


PWA *incrementally generates* ~30 KB CSS that handles all themes and writing directions.

735 rules
740 selectors
757 declarations
730 unique declarations
0 media queries
11 unique colors
32 unique background colors
15 unique font sizes
7 unique z-indices

https://t.co/w7oNG5KUkJ


The legacy site's CSS is what happens when hundreds of people directly write CSS over many years. Specificity wars, redundancy, a house of cards that can't be fixed. The result is extremely inefficient and error-prone styling that punishes users and developers.

The PWA's CSS is generated on-demand by a JS framework that manages styles and outputs "atomic CSS". The framework can enforce strict constraints and perform optimisations, which is why the CSS is so much smaller and safer. Style conflicts and unbounded CSS growth are avoided.