The History of Remote Work

A look back before we zoom too far into the future...🚀

#FutureOfWork #WorkforceFuturist

Thread (1/10)
https://t.co/4SxOJDx8HG

We’ve recently seen research about so-called “bots” and misinformation on Twitter and wanted to share our perspective on why findings that might seem remarkable at first are likely inaccurate. We’re working on a more detailed explanation, but some comments for now.

We continue to be excited by the research opportunities that Twitter data provides. Our service is the largest source of real-time social media data, and we make this data available to the public for free through our public API. No other major service does this.

Many researchers, academics, and journalists use our public API — a set of tools for programmatically accessing information on Twitter. We make all public Twitter content available via our APIs. You can learn more about them here:

The basic issue with much of the research based on our public APIs is simple: The APIs don't provide insight into our defensive actions to protect Twitter from manipulation, including bots.

Because of this, API-based research can't distinguish between accounts we've already identified as bad (and hidden or removed) and real, authentic ones.

Originally, tweet length was 160 minus username length. One day, I turned to Jack and pointed out that I got one more character than him. He said, "That's not fair. We should standardize." I agreed. He said, "How about 140?" I said, "Sure." And he updated the code.

Last year, we upgraded tweet length to 280 and guess what? Use of 'please' is up 54% and 'thank you' is up 22%. I love that! Also, people are asking more questions and having more conversations. All this, and the majority of tweets are still under 140. It worked.

Following up last year’s surprisingly popular "10 things you likely didn’t know about Darkroom" and your many requests for more tips, we put together a second edition that focuses on workflows in Darkroom. Click through to read it all right here in this thread.

1/10 Copy & Paste your Edits in Batch. Skip the hassles of re-applying each edit over and over again by copying your edits from the tap-and-hold library menu, History tool, or the Actions (•••) menu. Go to your other photos, and paste your edits onto them.

2/10 The joy of seeing your wonderful shot in motion is why we love Live Photos so much, and why we fully support editing and exporting them! While editing, Tap the “LIVE” button at the left top when viewing a Live Photo for playback.

3/10 Turn your iPhone to landscape for an iPad like editing experience, bringing some iPad exclusive functionality to iPhone. In the library grid we show the Library Sidebar, when viewing or editing we show the Photo Strip, and in the color tool we show our Color Histogram.

4/10 Manage while editing with the Photostrip. With the photo strip available on all devices in landscape orientation, you can skip & hop through your library while editing, or quickly compare multiple photos to find the one with the perfect expression or the perfect light.

I’m quoted in this, which does about as good a job overviewing the topic as a New York Times profile can be expected to.

Major oversights in it as I see.

First, It does not acknowledge the fact that Yudkowsky is, at heart, a complete crank. This remains, to my mind, crucial to understanding the rationalist community’s influence on the world: they’re sci-fi writers being mistaken for scientists.

You can’t really understand the harmful effects of SSC until you realize that it’s part of a larger movement of bullshit artists serving as cult leaders to the techbros.

Second, and more importantly, it never really explains the harm that’s being done by Scott Siskind and his followers. It comes close, noting that “SJWs” were the only group not welcome in SSC, but it doesn’t capture the harm of that because it doesn’t unpack the term.

What is meant in practice when “SJWs” aren’t welcome in a space is that marginalized people speaking of the harm they experience are silenced.

That’s it. That’s the meaning.