Something that would help our field, it seems to me, is to separate the Music Director position from the Principal Conductor position at orchestras. If nothing else, you'd get a wider range of musical tastes/interests at the top, which would serve the institutions well.

I've also seen too many situations where big/biggish-name conductors shoot down an idea that has the backing of their orchestras' creative staff, because it's just not of personal interest to them. Conductor ego is a substantial source of regressive energy in classical music.

We have a *major* resource problem in the field of new music. There's not enough $ to go around, and definitely not enough to make the field truly open and accessible. In that light, we need to be strategic about targeting the spaces where new resources could come to the table.

I've long been critical of orchestras, but I've never said we should tear them down. Far from it. Orchestras are central arts organizations with access to community resources of all kinds, including but not limited to $. That's why they have to become true leaders in the field.

Do you know how hard it is for a new music organization to develop the kind of resource base that an orchestra has? A few have come close, but it's practically impossible, especially now, with so much arts funding having dried up and no new apparent boom on the horizon from tech$

What a year 2020 has been...

Earthquakes
Tsunamis
Cyclones
Floods
Volcanic eruptions
Massive forest fires
Unprecedented pandemic
Economic crisis
Social disharmony
Terrorist attacks
Armed conflicts and hostilities

A truly abysmal year, but thankfully, we survived...

We have also been spared much worse eventualities (so far), such as:
Solar storm
Nuclear war
Asteroid impact
Blazar

This has made me realise that our humble existence is an underappreciated facility.

This year seems to be a massive experiment in social engineering.

While coping with a sudden disruption in commercial activity leading to a brief spell of global socialism, we saw hijacked, outsourced and sponsored protests fuelled by social divisions and insecurities.

Personally, I experienced a complete collapse of my reward mechanism throughout this year, resulting in low motivation levels for prolonged periods. I couldn't even find the motivation to post much on social media.

It made me realise the incompetence of reward-oriented work.

Happiness (being home after 5 years) was in stark contrast of sorrow (loss of friends and family), effectively flattening any emotional upheaval.

From the yogic perspective (सुख-दुःखे समे कृत्वा), this was certainly an educational year but was devoid of satisfaction.

Now that the year is actually at the end and I have seen almost all the movies (haha not even close), I will list my favorites in no particular order in a thread no one will care about but me. But first, @letterboxd says there are 22,519 films released in the 2020s. Yikes. 1/?

#1 @MinariMovie by @A24 which is genuinely a movie I have thought about regularly since I saw it in January. Wider release in 2021 and do not sleep on this one. Gorgeous Korean American Arkansas farmer story of building a new future and generational gap. 😍🥰

#2 @nomadlandfilm by Chloe Zhao which is a sweeping hybrid film of the new American west and the death of the American dream. @Criterion needs to go ahead and collect. 3/?

#3 @americanutopia by Spike Lee brought us the reminder of music, theater, audiences, joy at a time when we needed it most. Oh David Byrne. Thank you.

#4 David Attenborough's A Life on Our Planet reminds us that Earth is a gorgeous place we are screwing up pretty royally. Cinematography alone worth a watch.

I’m feeling stuck between a rock and a hard place in terms of the sheer number of people who still have no idea my book exists and the degree to which I feel like I can’t just keep shouting “hey my book!” over and over again without alienating the entire world. Thoughts?

THREAD: 1) Hollywood Celebrities and the "Elites" (of DC & the Media) tell you it's an oppressive system because they not only preside over that system of YOUR oppression, they financially benefit from that illusion as they cash the check from their owner.

1/ Merry Christmas everyone! I'm a very odd and eccentric person, so after some Yuletide joy and wine drinking, my thoughts turn to what archaeologists of the future might make of my remains if I were to die in a sudden disaster, like the Vesuvius eruption.
(Quick disclaimer...

2/ I'm not an archaeologist - just someone who takes a keen amateur interest in these things)
After, let's say, a thousand years, and without very particular conditions of preservation that are unlikely in this climate, it's likely that all skin, gristle and textiles would have

3/ rotted into nothingness.
So, what's left?
My bones.
Presuming they're in a decent state of preservation, archaeologists would be able to tell from my brow ridges and gracile bones that I was probably a natal woman.
The eruption of my wisdom teeth and the condition of my

4/ pelvis would indicate I was 30-50 years old at time of death and had had at least one child.
Analysis of bones would indicate I had a land based diet, lived in N. Europe and was well-nourished. Lack of joint wear and tear shows I had undertaken no strenuous physical labour.

5/ What else would be left of me... most likely the sparkly beads on my clothes - both on the collar of my dress and my cardigan. They're made of gum/plastic - made to imitate gems, but very cheap. In the far future, finds like this would be plentiful. Archaeologists would likely

🧵THREAD🧵
“Freedom is never more than one generation away from extinction." - Reagan

@SamSeder @jimmy_dore has made his ultimate intention clear. Check out this video from an interview he did with Niko House yesterday. This should be extremely concerning from anyone serious about the progressive movement. It’s clear that Dore is trying to tear down the squad. (1/11)

@jimmy_dore But here he goes further. He believes that he had set up a test to see if progressive politicians are worth voting for or not. Only if they pass his test would they be worth voting for. Right now they are not. (2/11)

@jimmy_dore I don’t see how anyone can argue that Dore’s message is not extremely dangerous for the progressive movement. He is literally saying there is no point in voting for any progressive politicians. If a nefarious actor did want to infiltrate a political movement, (3/11)

@jimmy_dore what better way than to use a popular figure to spread anger and hate and convince his or followers that there is no point in voting for anyone in that movement. There is no more powerful way to succeed in killing a movement. That’s what Dore is doing. (4/11)

@jimmy_dore Jimmy Dore on Niko House show 12/20/20

Jimmy Dore: What’s the point? As Norman Solomon said after the entire squad voted for the extension of the Patriot Act to extend Donald Trump's fucking spying powers. As they were calling him a Russian puppet, (5/11)

HELEN by Georgette Heyer (Tweet Read #2)
Part I - The Child
Chapter I
II

MILDRED, Mrs Beazley, came on the evening of the following day. (1/14)

She had had no time to buy mourning clothes, as she would have liked to do, but she had found a very dark blue coat and skirt, which she wore in preference to her new green dress. It was more respectful to the dead, she thought. (2/14)

She had been weeping, and as she crossed the hall she tiptoed.
“Oh, James!” she said, and her hushed voice irritated him, “My poor James! Dear Kitty! my only sister! the shock!” Tears choked her; she clung to his hands. (3/14)

“Thank you for coming,” he said. “I would have sent for you before, only… there wasn’t time.”
She was shocked to hear him speak so levelly. She had always thought him cold and unfeeling. “I can’t believe it!” she said. “I can’t! I can’t! She was always so full of life!” (4/14)

“Please!” he said sharply.
“If only I had been here!” For a time she sobbed, muffled, into her handkerchief, while he stood with his back to her, staring out of the window. “To me—such a blow! You’re so brave—I can’t understand it. What you must have gone through!” (5/14)

You might see an 'essay' going around today about 'the value of knowledge'. I'm not linking it, but I've taken out a few paragraphs that need to be reckoned with. 1/?

From the very first sentence, this person attacks Nikole Hannah Jones and the #1619Project in a typically conservative fashion, no doubt to get the conservative heads to go 'hear, hear!!'. He then says she 'claims' her expertise & essentially says to her 'stay in your lane'. 2/x

Ridiculous assertion aside, Considering this author is someone that routinely criticizes his education program for doing things like setting tasks of making 'BLM bracelets', but then heralds it in his bio, one must wonder how he reckons w/his own lack of expertise. 3/x

He then criticizes Gloria Ladson Billings, another Black woman for pointing out something that is literally true (have you not seen curricula that tell teachers to enact the slave trade? Or that propagate the thanksgiving myth?) 4/x

but does nothing to reckon with the the history of this country, the (failure) to teach Black children, the changes that DO need to be made in curriculum to ensure both rigor and windows and mirrors. 5/x

How about a New Year's Eve thread about Gordon Parks & the photo world's deeply entrenched culture of white supremacy? Ok? Let's go.

We celebrate Gordon Parks as one of the most significant photographers of the 20th century. Rightfully so. His photos were more than exquisite aesthetic objects. They also profoundly shaped the way that white people saw & understood poverty & race. BUT...

But we rarely talk about *why* Parks was able to achieve so much in the photo world.

The answer is simple & clear: He -- alone among Black photographers of his & earlier generations -- received the same kind of mentoring & opportunities that as promising white photographers.

During most of photography's history, the single most important predictor of mainstream professional success was the possession of a white skin.

Thread: I don't know about you, but staying sane recently hasn't been that easy. I've found it particularly hard to read novels - something that is usually my go-to therapy.

BUT I've always loved radio, and especially radio drama, and...

I was giving someone a few recommendations for things to listen to on BBC Sounds and realised I was getting carried away. I've heard tons of really good stuff in the past year and a lot of it is still online.

So here are some links! (stay tuned - this will take a while).

Firstly, there's Primo Levi's 'The Periodic Table' - unutterably brilliant. If you haven't heard this you've just got to stop what you're doing and do so.

Then there's Big Girl, Small Town by @michellegallen

Brilliant - probably the best thing I've heard on radio on a long time. A dark secret gradually gets revealed (or not) in small town near the British border in Ireland.

For a bit of fun there are two Charles Paris Mysteries - A Doubtful Death / The Cinderella Killer. Bill Nighy plays a slightly louche thespian with a bent for amateur sleuthing. Funny dramas based on old radio plays by Simon Brett updated by Jeremy Front.

In the spring of 2001, I was going to a meeting at the place where I worked then and still work now. Another of the people at the meeting was an academic dean of our school. She was perhaps the purest expression of academia *at* that school.

1/

That day she was literally wearing a tweed blazer. Before she'd become a dean she'd been an English teacher. Now, the epitome of English Teachers, in my brain, was and remains my father. That day she was a close second.

2/

That day I said hello and asked how she was or somesuch.

She gave me a slightly wry smile. "Oh, you know. Measuring my life in coffee spoons," she said. I chuckled, and we may have traded a couple more lines of 'Prufrock.' I'm not sure.

3/

And I've always been a fan of T.S. Eliot, so it felt natural enough to come to and fro, talking of Michelangelo, and otherwise it seemed a clever turn of phrase just before a meeting about school management systems and database development.

4/

It is a couple of days before 2021, and I am 20 years older, and that memory has taken on a very different shade and tenor. We have all seen too much since then, over and over again.

5/