BC CULTURE
Saved by @ThomassRichards

1/ Wrote an article here about an exchanger that allows you to swap several different cryptocurrencies for Monero without KYC or logins at all

 2/ Being the eternal skeptic, wanted to test if this website was actually legitimate (there are a lot of crypto scams out there; way too many)..

So we start off visiting the main website and set up a LTC:XMR conversion.
3/ The Monero address that you see in the picture above was created using this "mindwallet" altered tool created by Pactito (https://t.co/KArylCXgWR)
3a/ Wouldn't recommend creating a Monero wallet this way, specifically, but this tool generates addresses deterministically with Argon2 as its KDF using BIP32 + BIP38
3b/ You can try it yourself. Password for this wallet = librehash

E-mail (salt) = [email protected]

You'll generate the exact same addresses and keys as you see here.

Benefit = in theory, you never need to have your private key stored anywhere, ever.
3c/ If you're wondering if this is legit or not, check out the @KeybaseIO implementation at https://t.co/sUJpIZEWAf ; as you can see, a simple 8-character alphanumeric password with 20+ btc in it has yet to be solved 3-4 years later (salt already given)
4/ Back to the site, we tested out a simple $LTC #Litecoin to $XMR #Monero transfer
5/ Elected to send about $20 worth of $LTC at the time. Enough of an amount to where it felt like a legitimate test. The 6 confirmation wait screen is pretty standard. Cool.
6/ Once that was finished, we were given this screen.

$XMR Monero is diff from other cryptocurrencies (obviously). We need to visit the transaction link.

https://t.co/MTck2Nsxdp
7/ The link from above takes us here. Notice the two stealth addresses with question marks for 'amount'.

If we want to see ours, we need to use our reg. $XMR addy + priv. view key.
8/ Upon doing so, we can see that the correct output has been matched. Cross referencing it with what the site told us (and what we agreed to), we can see that the values match.

So this gets the stamp of approval right now.

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As it's #AppreciateADragonDay let's do some classic covers from Dragon magazine!


Tony DiTerlizzi's cover art for Dragon magazine #242, December 1997.


Dragon magazine issue 106, February 1986. Cover by Keith Parkinson.


Dragon Magazine #71, March 1983. Cover by Clyde Caldwell.


Dragon magazine issue 65, September 1982. Cover by Clyde Caldwell.
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Time once again for my occasional series "Women with great hair fleeing gothic houses!"

And today all the covers are by Walter Popp...


Crucible of Evil, by Lyda Belknap Long. Avon Gothic Original, 1974. Cover art by Walter Popp.


Hornet's Nest, by Evelyn Bond. Avon Gothic Original, 1972 Cover by Walter Popp.


The House In Munich, by Dorothy Dowdell. Avon, 1974. Art by Walter Popp.


The Secret Of Chateau Laval, by Susan Marvin. Avon Gothic, 1973. Art by Walter Popp.
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Black movie goers know which movies are for us and which films aren’t. We really don’t like our stories being made into films that center (and humanize) people that hate us. The filmmakers/studio know that by naming the film “The Green Book”, black movie goers...

...are going to be expecting a story about black people trying to safely navigate the country (real history) and instead will get a white savior film. Like folks went to see Detroit thinking it was about the riots...

Anywhoo, I know Mahershela is fantastic in it. He was the best thing about the trailer. As rich as the history behind the creation of ‘The Green Book’ is/was, as amazing as Dr. Don Shirley’s story is, WHY is this film about a random, racist driver and his family?

This feeds into the ignorant anti-Black American stereotype of “Black Americans don’t have any culture/history/mythology” or whatever. That our stories are still both being used while simultaneously erased in 2018 is wild to me. It’s gonna clean up come award season. 🤦🏾‍♀️

And now, if black filmmakers WANTED to make a film about The Greenbook, guess what it can’t be called🙃. Just like if someone wanted to make a film about the actual Detroit riots, guess what it can’t be called? Then those filmmakers would run into...
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[thread]

Folks at Marvel were trying to figure out how to launch phase 4 of the MCU, incorporate the addition of the X-Men, the relaunch of the Fantastic Four, and help the MCU on Disney+ get off the ground, and Feige was like:


The meta goes deep on WandaVision. This bit might be unintentional, but there's poetry in Marvel Studios launching its first foray into TV shows with a show about TV shows. Some history:

The previous Marvel TV properties were (mostly) run by Marvel Television and Jeph Loeb. They did some brilliant work, but the MCU films largely ignored the goings-on over there.

Now everything is in one house. It has the potential to be a huge freaking mess.


Part of the problem is how to insert the "first family" of Marvel comics into the MCU timeline. The Fantastic Four are old-school. The MCU heroes we know looked up to them and went to them for advice. Now they are going to get an MCU origin story. That's a conundrum.


Kevin Feige is a big comic nerd with a whole team of comic nerds, and one of them was probably like:

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Richard Wagner 2.0
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#WednesdayWagner Hoiho! Missing your weekly thread on Wagner's leitmotifs and composing strategies? Here I am! This week, we start talking on a leitmotif that appears in every Wagner's opera:
ONE LEITMOTIF TO RULE THEM ALL (part 1 out of 3)
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#WednesdayWagner Although each Wagner's creation has its own "sound world", and although leitmotif technique was not exactly exploited since the 1st one, there is a short gesture/motive that appears in ALL Wagner's operas. Don't you believe me? Keep reading ⬇️
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#WednesdayWagner This is the recurrent leitmotif: the 4-pitch gesture that can be listened to right at the beginning of Lohengrin 
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#WednesdayWagner In this first thread, let's go through the first 3 Wagner operas ("Der fliegende Holländer", "Tannhäuser" and "Lohengrin") to identify this small but powerful melody
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#WednesdayWagner Note that I would just mention the main appearances of this gesture or melodic idea, without digging bar by bar into the whole operas
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1. Write Atomic Essay
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