It’s happening and it’s happening NOW! The first movie, Guardians of the Pedophiles, just had its big release.

Buckle up, Patriots, it’s going to be a very bumpy ride.

The Calvin and Hobbes comic strip ended 25 years ago, so let’s celebrate a New Years treat by analyzing it! Awhile back I had a students annotate structures in every C&H strip, so we have data on the whole thing. As Calvin says: let’s go exploring! 1/ https://t.co/GAm45Ni1m5

An interesting feature of this strip is that Watterson took a few sabbaticals during its run, and came back with more artistic freedom. So, I’ll focus here on how a few aspects of the strip change over time. Here’s what every panel per strip looks like (all 14,712 panels!) 2/

Let’s start with storytelling. Overall, the strip shifts to becoming more visual and multimodality balanced in meaning over time. In this graph, higher numbers mean more meaning carried by pictures than words (0=balanced) 3/

You can also see this in the overall increase of wordless panels across strips. Interestingly, you see the same trends for both daily and Sunday strips, suggesting broader shifts in Watterson’s storytelling inclinations 4/

The amount of words also changed. The strip steadily got more wordy in the first half of its run, but then started decreasing again as it shifted to visual meanings 5/

I'm going to attempt to chronologically list all of the Marvel characters Stan Lee had a hand in creating. Working with his genius collaborators, Stan and his team produced an insane amount of iconic characters in a roughy ten year period. (Thread)

With his younger brother, writer Larry Lieber, and Jack "the King" Kirby:

Groot

Tales to Astonish #13 (November, 1960)

With writer Lieber, and artist Kirby:

Fin Fang Foom

Strange Tales #89 (October, 1961)

With the King, Stan gives birth to the Marvel Universe:

The Fantastic Four

Fantastic Four #1 (November, 1961)

With Jack Kirby:

Mister Fantastic

Fantastic Four #1 (November, 1961)

jm watching as jk, part of the mafia, storms his house and jk being totally confused as to why the man looks so unbothered by it, standing at the top of the stairs with an unfazed expression.
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and when jm approaches jk with a walk resembling the grace of an elegant snake, jk feels immediately bewitched by him, watching him come closer with his breath stuck in his throat, unable to move, the weapon in his hand slowly sliding out of his grip when jm pushes him down

by his shoulders to make him sit down on the couch behind him.
"w-who are you," jk can't help but stutter out with wide eyes.
to his bewilderment, the man doesn't move to sit next to him on the couch. feeling the pressure of the mysterious man's hands on his shoulder,

jk gasps as he straddles him instead, the man raising one hand to graze a finger over jk's sensitve neck, making jk shiver in surprise. jk wonders if the soft touch was only an illusion, because the seductive expression falls from the man's face from one second to the other,

and suddenly he's grasping jk's chin between two fingers to harshly tip his head up toward his, pushing their faces dangerously close. jk doesn't dare move a single muscle when he locks eyes with the most beautiful man he's ever seen, even forgetting to breathe. the man fixes him

I don't often promote myself on here, but I should. I have done some things that I am proud of. So here is a thread of episodes from @OurTurnPodcast that I contributed a segment and/or co-hosted. #RPG #podcast

Here is one of my very first contributions, a segment about one of my favorite RPGs of all time: 13th Age. @13thAge I still love it, and I have hacked the system to run other genres (ex. Star Wars: The Old Republic). Give it a try

One the one-year anniversary of @OurTurnPodcast, I did a segment about Session Zero for RPGs. I love being a part of Session Zero in any #RPG, both as a GM and

I've completely fallen down a well of reading crappy superhero comics. (virtually all superhero comics are crappy.)

it's a comfort food thing. takes me back to my ill spent youth.

read a bunch of Dan Slott's she hulk run, which is depressingly sexist, all things considered. (the old, there's something wrong with you if you're a powerful woman who enjoys being powerful trope.)

Gail Simone's Birds of Prey is pretty fun; character interactions are great but she's got trouble figuring out worthwhile plots. all the villains are pretty eh.

read some Bendis avengers and new avengers. he writes fun characters, but the crossover stuff is so omnipresent it's hard for him to develop any narrative cohesion.