An annoying feature in an "influencer" career is that it seems like you'll be much better off if you're "nice" to everyone.

You can always collaborate or "swap." You don't like their work, or maybe even them as a person, but gosh can you pass up this opportunity?

This might be an illusion. You're probably better off ignoring everyone and focusing on your own work.
Then again, it might not be an illusion. It's something I've noticed with successful Hollywood people. They're so damn nice. Either they are extremely agreeable people, or they have to fake it.

However, it's a much more people-oriented business than publishing.

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So let's check in on "Newsguard," one of the Orwellian groups (e.g., The Atlantic Council) that totally reliable sites like @voxdotcom and @axios use to decide what is "Unreliable" and "fight disinformation."

One example:

OK, so "The Daily Wire" and "
https://t.co/oEa89coNak" are unreliable. Fair enough, maybe they are (I don't use either one of them).

So let's look into one of our new official arbiters of "reliability," Newsguard!

What's their advisory board look like?

https://t.co/5N8op70VE1


OK, so maybe a few names jumped out at you immediately, like, oh I don't know, (Ret.) General Michael Hayden, former Director of the CIA AND former Director of the National Security Agency in the run-up to the Iraq War in 2003! Google him, he's famous!


Newsguard is all about "seeing who's behind each site," (like how Michael Hayden is behind Newsguard?)

All they want to do is fight "misinformation." That's laudable, right?

Also, Newsguard has a "24/7 rapid response SWAT TEAM!!"

So cool!
https://t.co/EDN3UXvBR9


Ok, I'm not a journalist or a former CIA director, so I have no idea what's true or not unless someone tells me, so hey, Columbia Journalism Review - what do you think of Newsguard Advisory Board Member Michael Hayden?

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I just finished Eric Adler's The Battle of the Classics, and wanted to say something about Joel Christiansen's review linked below. I am not sure what motivates the review (I speculate a bit below), but it gives a very misleading impression of the book. 1/x


The meat of the criticism is that the history Adler gives is insufficiently critical. Adler describes a few figures who had a great influence on how the modern US university was formed. It's certainly critical: it focuses on the social Darwinism of these figures. 2/x

Other insinuations and suggestions in the review seem wildly off the mark, distorted, or inappropriate-- for example, that the book is clickbaity (it is scholarly) or conservative (hardly) or connected to the events at the Capitol (give me a break). 3/x

The core question: in what sense is classics inherently racist? Classics is old. On Adler's account, it begins in ancient Rome and is revived in the Renaissance. Slavery (Christiansen's primary concern) is also very old. Let's say classics is an education for slaveowners. 4/x

It's worth remembering that literacy itself is elite throughout most of this history. Literacy is, then, also the education of slaveowners. We can honor oral and musical traditions without denying that literacy is, generally, good. 5/x
Funny, before the election I recall lefties muttering the caravan must have been a Trump setup because it made the open borders crowd look so bad. Why would the pro-migrant crowd engineer a crisis that played into Trump's hands? THIS is why. THESE are the "optics" they wanted.


This media manipulation effort was inspired by the success of the "kids in cages" freakout, a 100% Stalinist propaganda drive that required people to forget about Obama putting migrant children in cells. It worked, so now they want pics of Trump "gassing children on the border."

There's a heavy air of Pallywood around the whole thing as well. If the Palestinians can stage huge theatrical performances of victimhood with the willing cooperation of Western media, why shouldn't the migrant caravan organizers expect the same?

It's business as usual for Anarchy, Inc. - the worldwide shredding of national sovereignty to increase the power of transnational organizations and left-wing ideology. Many in the media are true believers. Others just cannot resist the narrative of "change" and "social justice."

The product sold by Anarchy, Inc. is victimhood. It always boils down to the same formula: once the existing order can be painted as oppressors and children as their victims, chaos wins and order loses. Look at the lefties shrieking in unison about "Trump gassing children" today.