The Final Destination (also known as Final Destination 4) is a 2009 3-D supernatural horror film written by Eric Bress and directed by David R. Ellis, both of whom also worked on Final Destination 2.

Released on August 28, 2009, it is the fourth installment to the Final Destinationfranchise, and the first of which to be shot in HD 3-D.
The Final Destination is rated R by the MPAA for strong violent/gruesome accidents.

Eight years after the explosion of Flight 180, seven years after the Route 23 pileup and three years after Devil's Flight derailment, college student Nick O'Bannon has a premonition of a car crash while watching a race at McKinley Speedway for a study break.

which sends debris into the audience, crushing some spectators and resulting in the stadium partially collapsing, killing almost everyone present in the 180 section.

In a panic Nick convinces his girlfriend Lori Milligan, and friends Hunt Wynorski and Janet Cunningham to leave, with the quartet being followed by a handful of others who become angry with Nick after he pushes past them to escape.

The Day After Tomorrow is a 2004 American climate fiction-disaster film co-written, directed, and produced by Roland Emmerich. The film was made in Toronto and Montreal and is the highest-grossing Hollywood film to be made in Canada (if adjusted for inflation).

in this film Los Angeles was destroyed by tornadoes and New York City was destroyed and engulfed by a tidal wave and froze by the ice clouds.

On an expedition in Antarctica, paleoclimatologist Jack Hall and his colleagues Frank and Jason are drilling for ice-core samples on the Larsen Ice Shelf for the NOAA when the shelf breaks off.

Later, Jack presents his findings on global warming at a United Nations conference in New Delhi, but fails to convince diplomats or Vice President of the United States Raymond Becker.

However, Professor Terry Rapson of the Hedland Climate Research Centre in Scotland believes in Jack's theories.

A North Korean terrorist may be responsible for taking the president hostage, but it’s Bulgarian-made CGI that does the most damage in Antoine Fuqua’s intense, ugly, White-House-under-siege actioner Olympus Has Fallen.

Cut past the pic’s superficial patriotism, and the message is ironically clear: Never outsource your visual effects when a domestic shop will do.

Courageously representing the human element in this mostly digital assault on American soil, Gerard Butler holds his own as a one-man-army. Millennium was wise to push this grim act-of-war movie out three months ahead of Columbia’s like-minded “White House Down.

Olympus Has Fallen” helmer Fuqua, who’s known for bringing an unflinching toughness to inner cities (“Training Day”) and ancient history (“King Arthur”), sticks to the “Die Hard” model here, minus most of the tossed-off one-liners.

In ex-Special Forces pro Mike Banning, Butler presents a gritty but humorless hero who cusses, bleeds and occasionally pauses to remove shards of glass from his wounds.