Time once again for my occasional series "Women with great hair fleeing gothic houses!"

And today all the covers are by Walter Popp...

Crucible of Evil, by Lyda Belknap Long. Avon Gothic Original, 1974. Cover art by Walter Popp.
Hornet's Nest, by Evelyn Bond. Avon Gothic Original, 1972 Cover by Walter Popp.
The House In Munich, by Dorothy Dowdell. Avon, 1974. Art by Walter Popp.
The Secret Of Chateau Laval, by Susan Marvin. Avon Gothic, 1973. Art by Walter Popp.
The House Of Counted Hatreds, by Susan Jennifer. Avon Gothic, 1973. Art by Walter Popp.
Death Is A Red Rose, by Dorothy Eden. Ace, 1970. Cover by Walter Popp.
Three Women In The House, by Estelle Thompson. Avon Gothic Original, 1973. Cover by Walter Popp.
Widow In White, by Evelyn Bond. Ace, 1973. Cover by Walter Popp.
House Of The Darkest Death, by Alicia Grace. Lancer Easy-Eye Gothic, 1971. Cover by Walter Popp.
The 13th Doll, by Ann Loring. Avon Gothic Original, 1973. Cover art by Walter Popp.
More women with great hair fleeing gothic houses another time.

Mind how you flee...

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So the cryptocurrency industry has basically two products, one which is relatively benign and doesn't have product market fit, and one which is malignant and does. The industry has a weird superposition of understanding this fact and (strategically?) not understanding it.


The benign product is sovereign programmable money, which is historically a niche interest of folks with a relatively clustered set of beliefs about the state, the literary merit of Snow Crash, and the utility of gold to the modern economy.

This product has narrow appeal and, accordingly, is worth about as much as everything else on a 486 sitting in someone's basement is worth.

The other product is investment scams, which have approximately the best product market fit of anything produced by humans. In no age, in no country, in no city, at no level of sophistication do people consistently say "Actually I would prefer not to get money for nothing."

This product needs the exchanges like they need oxygen, because the value of it is directly tied to having payment rails to move real currency into the ecosystem and some jurisdictional and regulatory legerdemain to stay one step ahead of the banhammer.