BC CULTURE
Saved by @CodyyyGardner

Thread: *Post-Liberal reading list*
1/ Religion and the Rise of Capitalism - R.H. Tawney
Unto This Last - John Ruskin
Liberty, Equality, Fraternity - James Fitzjames Stephen
The Great Transformation - Karl Polanyi
The Quest for Community - Robert Nisbet

 2/ Family and Civilisation - Carle C. Zimmerman
Science, Politics and Gnosticism - Eric Voegelin
Liberty Before Liberalism - Quentin Skinner
The Great Debate - Yuval Levin
Lincoln and the Politics of Christian Love - Grant Havers
Where We Are - Roger Scruton
3/ The Humane Vision of Wendell Berry - Various
The Unsettling of America - Wendell Berry
Moral Matters - Mark Dooley
Red Tory - Phillip Blond
Blue Labour - Eds. Ian Geary and Adrian Pabst
Together for the Common Good - Eds. Nicholas Sagovsky & Peter McGrail
4/ The Politics of Virtue - John Milbank & Adrian Pabst
Localism in a Mass Age - Eds. Mark T. Mitchell & Jason Peters
The Antimodern Condition - Peter King
The Principle of Duty - David Selbourne
Nostalgia - Anthony Esolen
A Common Human Ground - Claes G. Ryn
5/ The Politics of Gratitude - Mark T. Mitchell
A Time to Build - Yuval Levin
Remaking One Nation - Nick Timothy
Despised - Paul Embery
Defending Identity - Natan Sharansky
Between Kin and Cosmopolis - Nigel Biggar
The Virtue of Nationalism - Yoram Hazony
6/ Haven in a Heartless World - Christopher Lasch
The Minimal Self - Lasch
The True and Only Heaven - Lasch
The Revolt of the Elites - Lasch
Enlightenment's Wake - John N. Gray
Black Mass - Gray
Coming Apart - Charles Murray
An Anxious Age - Joseph Bottum
7/ After Tocqueville - Chilton Williamson
The Crisis of Democracy - Augusto Del Noce
The Age of Secularisation - Noce
The Demon in Democracy - Ryszard Legutko
The Fractured Republic - Yuval Levin
Why Liberalism Failed - Patrick Deneen
The Limits of Liberalism - Mark T. Mitchell
8/ Power, Pleasure and Profit - David Wootton
Alienated America - Timothy P. Carney
The Demons of Liberal Democracy - Adrian Pabst
Noreena Hurtz - The Lonely Century
Globalists - Quinn Slobodian
Neoliberalism - David Harvey
False Dawn - John N. Gray
9/ What Money Can't Buy - Michael Sandel
What About Me? The Struggle for Identity in a Market-Based Society - Paul Verhaeghe
Just Living - Ruth Valerio
The Moral Economists - Tim Rogan
The Power of Market Fundamentalism: Karl Polanyi's Critique - Fred Block & Margaret Somers
10/ Small is Still Beautiful - Joseph Pierce
Wealth, Poverty and Human Destiny - Doug Bandow & David Schindler
The Globalisation Paradox - Dani Rodrik
Free Trade Doesn't Work - Ian Fletcher
Capitalist Realism - Mark Fisher
Hired - James Bloodworth
11/ Globalisation and its Discontents - Joseph Stiglitz
Civil Economy - Professors Luigino Bruni & Stefano Zamagni
The Future of Capitalism - Paul Collier
Winners Take All - Anand Giridharadas
The Third Pillar - Raghuram Rajan
The Agr of Addiction - David T. Courtwright
12/ The Enchantments of Mammon - Eugene McCarraher
The Meritocracy Trap - Daniel Markovits
The Tyranny of Merit - Michael Sandel
Deaths of Despair and the Future of Capitalism - Anne Case & Angus Deaton
The Expendables - Jeff Rubin
Head, Hand, Heart - David Goodhart
13/ The Theological Origins of Modernity - Michael Allen Gillespie
The Cave and the Light - Arthur Herman
Smiling Through the Cultural Catastrophe - Jeffrey Hart
Dominion - Tom Holland
The Weirdist People in the World - Joseph Henrich
14/ Notes on the Death of Culture - Mario Vargas Llosa
Beauty Will Save the World - Gregory Wolfe
The Next American Nation - Michael Lind
The Road to Somewhere - David Goodhart
The Republican Worker's Party - F.H. Buckley
The Nationalist Revival - John B. Judis
15/ The Once and Future Worker - Oren Cass
Twilight of the Elites - Christophe Guilluy
Return of the Strong Gods - R.R. Reno
The Great Class Shift - Thibault Muzergues
The New Class War - Michael Lind
The Coming of Neo-Feudalism - Joel Kotkin
Brexitland - Sobolewska & Ford
16/ Earthly Powers - Michael Burleigh
Sacred Causes - Burleigh
The Reckless Mind - Mark Lilla
Intellectuals - Paul Johnson
Illiberal Reformers - Thomas C. Leonard
The War for Righteousness - Richard M. Gamble
The Long March - Roger Kimble
17/ Culture Wars - James Davison Hunter
To Change the World - James Davison Hunter
The Rebel Sell - Joseph Heath and Andrew Potter
The Revolt Against the Masses - Fred Siegel
Listen, Liberal! - Thomas Frank
People Without Power - Frank
Primal Screams - Mary Eberstadt
18/ The Madness of Crowds - Douglas Murray
A Left for Itself - David Swift
Power and Purity - Mark T. Mitchell
American Awakening - Joshua Mitchell
Strange Rites - Tara Isabella-Burton
In Search of the Common Good - Jake Meador
You Are What You Love - James K.A. Smith
19/ The Idol of our Age - Daniel J. Mahoney
Leading a Worthy Life - Leon Kass
How The West Really Lost God - Mary Eberstadt
The Tragic Sense of Life - Miguel de Unamuno
The Dominion of the Dead - Robert Pogue Harrison
The Lost Art of Dying - L.S. Dugdale
20/ Amusing Ourselves to Death - Neil Postman
The Cultural Contradictions of Capitalism - Daniel Bell
Postmodernism Rightly Understood - Peter Augustine Lawler
After Progress - Anthony O'Hear
Icarus Fallen - Chantal Delsol
After Virtue - Alasdair MacIntyre

More from Culture

Dr. Neil Cohn
Dr. Neil Cohn
@visual_linguist
The Calvin and Hobbes comic strip ended 25 years ago, so let’s celebrate a New Years treat by analyzing it! Awhile back I had a students annotate structures in every C&H strip, so we have data on the whole thing. As Calvin says: let’s go exploring! 1/ https://t.co/GAm45Ni1m5


An interesting feature of this strip is that Watterson took a few sabbaticals during its run, and came back with more artistic freedom. So, I’ll focus here on how a few aspects of the strip change over time. Here’s what every panel per strip looks like (all 14,712 panels!) 2/


Let’s start with storytelling. Overall, the strip shifts to becoming more visual and multimodality balanced in meaning over time. In this graph, higher numbers mean more meaning carried by pictures than words (0=balanced) 3/


You can also see this in the overall increase of wordless panels across strips. Interestingly, you see the same trends for both daily and Sunday strips, suggesting broader shifts in Watterson’s storytelling inclinations 4/


The amount of words also changed. The strip steadily got more wordy in the first half of its run, but then started decreasing again as it shifted to visual meanings 5/
CULTURE
foone
foone
@Foone
So I was talking to @gewt about Job: A Comedy of Justice and I came up with a theory that I think explains why Heinlein's late-period work is so kinda-terrible and why I still enjoy it so much


So Heinlein had always been very interesting in the short parts of his novels, like the little snippets inside chapters. He had a very fun writing style, and wrote some fun dialogue with fun characters, right?>
It probably comes from how much of his early stuff was short fiction

And I think what happened with a lot of his longer works is that he'd just start writing fun bits and hope it would end up going somewhere or having a bigger plot by the end. like eventually he'd figure out where this was going, then go back and rewrite it into a cohesive whole

and I'm sure he had editors that'd help this process. No editor would let you publish something as rambly and changing-gears-every-other-chapter as The Number Of The Beast, for example... unless you were God-King Of Science Fiction 1980s Robert Heinlein.

so basically I think what happened is that by the 80s (when he was in his seventies!!) he lost the drive to go back and rewrite and he was too Untouchable for editors to make him.
CULTURE
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dan spaceman
dan spaceman
@ohlaika
I'm gonna do my other star wars thread tomorrow, which will primarily be me yelling at a @RowanKaiser-shaped strawman for calling the First Order and The Resistance "cosplayers who the rest of the galaxy has to deal with"

the deal w/the New Republic, the First Order, and the Resistance is very weird and complex and I actually take issue with how Story Group frames the actual conflict.

pre-TFA stuff is presented as a "cold war" between the New Republic and the remnants of the Empire that form the First Order, which 100% makes sense.

But they frame the First Order's attack on the Hosnian system and the subsequent battle that takes place across TFA and TLJ as a full on war when it's very clearly a coup. A war implies at least equal standing, but the First Order completely wrecks shop and takes over the galaxy.

ok never mind I'm fucking doing this now.

The First Order fleet we see in TLJ is *not* the entire fleet of the First Order (I don't even think Starkiller Base was their main base of operations honestly, it couldn't have been considering they were operating out of Wild Space)
CULTURE
Chris Pramas
Chris Pramas
@Pramas
Today’s game supplement is Death in Freeport (2000) from Green Ronin Publishing. I haven’t really featured my own work on #CuratedQuarantine to date but it is relevant to the d20 story.


D&D 3E, which I talked about yesterday, was released with two attached licenses: the Open Game License and the d20 System Trademark License. #CuratedQuarantine

The basic idea was to give other publishers a legal way to release D&D compatible material and to be able to indicate that with a special d20 System logo. This would eliminate a lot of legal headaches that TSR and then WotC had to deal with. #CuratedQuarantine

It was also hoped that certain types of support books that WotC had difficulty selling in large numbers—short adventures in particular—could be taken up by third party companies. I remember the work meeting where all this was pitched to the staff. #CuratedQuarantine

WotC was too big to be agile, it was argued, so let other companies provide support material. The more people kept playing D&D, the more WotC would benefit. #CuratedQuarantine
CULTURE
Pulp Librarian
Pulp Librarian
@PulpLibrarian
In the shadowy corners of the shortwave spectrum lurk the Numbers Stations: strange radio broadcasts of mysterious blocks of numbers in creepy monotone voices!

It's actually an old form of spycraft which is still in use today. And as it's #WorldRadioDay let's take a listen...


A Numbers Station is a type of one-way voice link for sending information to spies in foreign countries.

Operating on Short Wave radio bands they transmit a secret code of spoken numbers. Use of Numbers Stations peaked during the Cold War, but some are still operating today.


Numbers Stations are operated by various national intelligence agencies. At set times on a pre-arranged frequency a musical tone is played, followed by a speech synthesised voice reading out blocks of numbers. To most listeners it sounds both creepy and meaningless.


However to spies it can be vital. The numbers can be decoded to reveal a message, provided the spy has the right One Time Pad (OTP) - a random number key that is only used once before it is destroyed. OTP encryption is impossible to break if done correctly.


Why broadcast your secret message on Short Wave? Because it can be picked up across the globe. All a spy needs is a shop bought SW radio, a pencil, and the correct One Time Pad and they - and only they - can decipher the message. No complex kit is required.
CULTURE

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Shy people are either overthinking or highly observant of the social setting.

And in many cases it can be both.

'So what do I do?'

You learn the 75/25 law.

'What is that?'

The law of charisma...👇

Let's address the over thinkers first.

Do you have any idea why you overthink?

'Yea. Because others are judging how shy I am.'

Incorrect.

Others are thinking about themselves, not you.

But the fact that you think they are thinking about you, you fuck up the interaction.

Now you stay in your head too much & avoid the present moment.

A major no no in the social world.

Your tendency to think that others are judging you for being shy, coincidentally makes you more shy.

And that's when you start giving off a strange vibration to the social setting.

This is when you begin attracting comments like 'why are you so quiet?'
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🧵EMA + VWAP STRATEGY

Every trader has a go-to strategy that works best for them. My trading is all about keeping it simple stupid and revolves around two indicators - Exponential moving averages and vwap.

Here's the strategy that I utilize on nearly 80% of my trades.

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What are Exponential Moving Averages?

EMA's are a type of moving average that places a greater weight on more recent data points.

8EMA = Exponential Moving Averages of the last 8 candle closing prices.

EMA's adjust with respect to chart time frame.

What is VWAP?

Volume Weighted Average Price - A key intraday indicator in my trading that offers the true average price based on price & volume.

Calculation: (Price x # of shares traded) / total shares traded

EMA's I use

- 8
- 21
- 50

While I do utilize the 50EMA, the 8 & 21 EMA are most important for this strategy. Some people use the 9 and 20 which are essentially the same thing. REMEMBER: EMA'S adjust with respect to time frames.

A+ Set Up Criteria - (What I look for)
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Egypedia
Egypedia
@Egypediax
Ancient Egypt was the most advanced civilization in the ancient world. Why was Egypt so special?

There are so many firsts in Egypt that we all know about, and that makes Egypt unique. For example, the Sumerians did not build the pyramids of Egypt.


Save as history
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Aneesh Philomina Antony
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If u are looking to enter a scrip just before the breakout
what would u look for?
How would u identify scrips just before breakout?

Here are a few pointers
Carefully understand the them and use at ur own discretion
(All comments r compiled from a question i posed)

1/23

Price is testing the same resistance repeatedly since long.
But now in recent times it's forming multiple candles near the same resistance with low volume.
Observe it and see for opposite move.
As soon as u get a positive candle, get in to it.

2/23

1. Volume buildup (vol > when resistance point created) along with, increase in OI, increase in delivery % on HTF
2. On LTF, price stalling around breakout area for at least 1-2hr.
3. No major events.

3/23

Stock reaching breakout LVL with HL-HH
Contraction of price and volume near it especially near 20 days ma.
If there is any breach of the latest HL it should be followed by a bullish candle with good volume.
Left side of the chart has a rally with a very steep slope of ma.

4/23

Number of wide range green bars with high volumes.
If stock is at its ATH then it adds more conviction bcz there wont b supply after that point

Consolidation below the resistance, volume of the candles & strong bullish candle closing at near highs just below the resistance

5/23
TRADING , ALL
Jeet Heer
Jeet Heer
@HeerJeet
1. Now that Stan Lee is being eulogized far and wide, it's important to remember how marginal Stan Lee and his collaborators (Jack Kirby and Steve Ditko) were in the 1950s and 1960s.

2. Marvel Comics (before that Atlas) was just a cog in the machine of a bottom pulp publisher run by Martin Goodman, the husband of one of Lee's cousins. It was the lowest of the low in the publishing world.

3. Now Mario Puzo (not yet the author of the Godfather) shared offices with Stan Lee in the 1950s and 1960s. Puzo wrote for garrish men's adventure magazines and, like Lee, dreamed of writing a novel & breaking out. But Puzo looked down on Lee.

4. Flo Steinberg, 1960s secretary at Marvel: "They were always making jokes about us. They'd come in and giggle. mario Puzo would look in and would see us all working on his way to the office and say, 'Work faster, little elves. Christmas is coming.'"

5. When JFK was killed, the whole office of Magazine Management was stunned and quiet. Except Lee. He continued working. "He was still working on the comic books," Puzo said. "Like that was the most important thing in the world."
CULTURE