1/ @fortelabs @nathanbarry Your recent YouTube interview https://t.co/hZlBpxKYcE is one of the best and most useful interviews/conversations of the last 12 months - truly excellent. I tried to leave this as a comment on YouTube but failed, so here it is as a Tweet.

Let me talk about something
I consider myself qualified to discuss: a film director, Oliver Stone. OS is a great political director & a very clever man, one of the best in the industry. My view is that he did not simply take the Russian vx because he didn't want to wait for US 1

He's a very clever man, he made a judgement for his own life, for his family, & he chose the Russian vx instead of any of the Western ones, because he wanted the vx & considers Sputnik V the safest one.

I can see the logic:
1 No accountability for any of the Western vx, nobody can sue for any damage etc.
2 Those who made Sputnik V know they are always personally accountable to Vladimir Putin
3 S5 is based on a pre-existing vx with minimal changes so safety tried for many years

So if the Russians could find a safe way to adapt a tried & tested technology & only alter what is required, using adenovirus vectors, a technology in use for 50 years, experimented on for vx since the 1980s, why were Western Big Pharma so keen on something completely new: mRNA?

That is the question that Oliver Stone is indirectly asking us all to look into & answer: why were Western Big Pharma all at once suddenly so keen on using mRNA when there were much safer & tested directions available (adenovirus vectors), what is it that Western Big Pharma want?

I am reading through reams of late-1920s communist poetry and easily my favourite title so far is: "To a Lady who Rejected a Poem about Spring as a Petit-Bourgeois Deviation"

The last lines:
"So here's my hat into the air,
Three cheers for your amazing hair,
For coal mines, and for turbines, too,
For steel, the Comintern and you!"

A not exactly graceful (though possibly satirical) title: "Lines Disassociating Myself from Yessenin and Supporting the Otherwise Unfounded Legend that I am a Foremost Proletarian Writer"

An excerpt:
"Goodbye verses of Yessenin
Goodbye literary slop-
You are not the line of Lenin
You are not the line of WAPP

Never shall I moan a
simple lyric from the heart
I'll devote my new corona
to the proletarian art"

The poet was Joseph Freeman, who published much of his revolutionary verse in the New Masses, a stylish journal of the interwar American literary Left.

Amongst my absolute favourite musicians of all time, one name that is certainly near the top is of Ustad Nusrat Fateh Ali Khan sahab. I don’t know if any such data exists, but I am pretty sure he would also be among the most widely sold international artists in India. (1/43)

This is a thread about Nusrat sahab’s connections with India - his first performance here, songs blatantly copied from his compositions, his non-film albums done here, and also his work in Bollywood. So buckle up, coz this is gonna be very very loooong. (2/43)

The story starts in 1979, when a certain legend by the name of Raj Kapoor was invited to a Qawwali show in Birmingham, and heard Nusrat sahab performing there. So impressed by his music was Kapoor sahab, that he made up his mind to invite Nusrat sahab to India. (3/43)

Soon after, in early 1980, Rishi Kapoor was getting married to Neetu Singh, and Raj Kapoor promptly invited Nusrat sahab to perform at one of the sangeet ceremonies. The invitation actually was sent through Pakistani actor Mohammad Ali, a mutual contact of the two. (4/43)

Nusrat sahab accepted the invite, and was apparently excited with the prospect of also visiting Ajmer Sharif. His performance at the sangeet was attended by the who’s who of Indian film and music at the time, and he is said to have performed for hours through the night. (5/43)